SYRACUSAN “MEDALLIONS” AND THEIR ENGRAVERS

TABLE OF CONTENTS:

I. Introduction
II. The hoard found at Santa Maria di Licodia, Sicily
III. A decadrachm by a New Artist
IV. The decadrachms of Cimon
V. The artistic career of Evaenetus and his influence
VI. The Damareteion and the later “medallions”
VII. Chronological conclusions

Appendix A: The hoard of Western Sicily
Appendix B: On the date of the Great Naxos deposit

SOME NEW ARTISTS’ SIGNATURES ON SICILIAN COINS:
I. An earlier Cimon at Himera
II. ΜAI . . . at Himera
ΙII. The later Cimon at Messana
IV. Evarchidas at Syracuse
V. Parme . . . at Syracuse
VI, VII. Syracusan hemidrachms by Ev?netus and by Φ and EY
VIII. Exacestidas at Camarina

Appendix: New signature of Cimon

PLATES
CITY INDEX
HOARD INDEX